Indian Bridal Wear: Is Traditional Out?

The other day I found myself in a state of disbelief as I had spent a whole 45 minutes browsing Google for the latest Indian bridal wear. Knowing me, this is entirely unbelievable as I've never taken an interest in Indian clothing or bridal wear, for that matter. I've always been the one to despise wearing anything Indian. Firstly, most of the local RTW shops never have anything that fits me, especially around the bust. It's like everything is made for a size 8 with no curves. However,  I actually surprised myself and I did enjoy dressing up quite traditionally in a shalwar kameez for an event celebrating the Indian Republic Day:

It's pretty fun to dress up traditionally once in a while. The process of picking something that fits can be a bit iffy if you're shopping in a reasonably small store but after you've found something, the rest is just fun. From picking matching bangles and shoes, you feel a lot more dolled up than wearing a bodycon clubbing.

Whilst I was browsing as though I was on a quest to find my nonexistent daughter her perfect sari, I became appreciative of the sheer beauty in some of the latest designs.

Indian bridal wear takes a lot of work, especially embroidery. From my knowledge, saris and lenghas are the most prominent forms of bridal wear. I've always imagined a traditional Indian wedding to have the bride in a deep red sari with rich gold embroidery. Long gone are the days of that!

Shelley Chhabra

I came across a very talented designer, Shelley Chhabra. She designs heavily embroidered pieces in a variety of colours such as baby pink, deep red and fuchsia.

Shelley Chhabra.
Red lengha with detailed gold embroidery.

Shelley Chhabra.
Pastel pink lengha with gold embroidery.

Shelley Chhabra.
Maroon lengha with gold embroidery.

What I like about Shelley Chhabra is that there is a clear sense of tradition in the designs, yet they appeal to the modern, westernised Indian woman who wants to feel sexy at her wedding, but also wants to maintain her roots.

Manish Malhotra

Now for seriously upscale looks, the most renowned designer would have to be Manish Malhotra. He designs extremely elaborate designs for India's elite. I was seriously in awe at his couture collection. The amount of work going into each design is incredible.

Manish Malhotra Couture.
Skirt: Red raw silk lengha intricately hand-embroidered zardozi motifs all around. Densely embroidered contrasting black velvet border on the hemline. Accentuations with peals, Swarovski’s and kundan stones. 
Blouse: Short raw silk U-neck choli with embroidery on the borders and deep overlap back. 

I actually took the exact description for the silk lengha above as I wanted to truly show the incredible work in the design. To use Swarovski crystals on a lengha takes Indian couture to a new length.

Manish Malhotra Couture.
Pink georgette sari with hand-embroidered zardozi motifs, booties and hand-sewn Nakshi embroidery on the borders. 
Blouse: Contrasting blue velvet blouse piece with heavy embroidery and tassels. 
Petticoat: Matching unstitched butter crepe petticoat.

The above may me a bit too bright for a bride but I could definitely see pieces like this becoming the norm for those who want glamour and glitz. I personally adore this design because I love the combination of black and neon pink. It's something incredibly original and unique, in terms of Indian wear.

So overall, I actually don't think traditional is out at all. Yes, things are changing and weddings in India are being taken to a whole new level but the designers out there are getting things right by keeping some traditional roots in the designs but integrating new colours, fabrics and even crystals. Although Indian clothing is something I really do have little knowledge of, I'd love to see where the future of Indian fashion will go!

Photo credits: http://trends4ever.com/designers/indian-designer-shelley-chhabra-bridal-wear-2013-2014.php#.U1Eq3Ba9U_t, http://www.manishmalhotra.in

Alexander Wang x H&M: A Genius Collaboration

Versace. Margiela. Isabel Marant. Matthew Williamson. H&M has collaborated with some of the world's most prestigious designers but I could not be more excited for the Alexander Wang collection.

The news couldn't have been broken in a more dramatic way either. A video was released on Wang's official Instagram page which showed a countdown to one of fashion's most epic synergies:



Mass Sales on the Horizon 

I actually believe that this could become H&M's top selling designer collaboration of all time, surpassing Karl Lagerfeld and Donatella Versace. Why?

Well, for one, when you announce a collaboration as huge as this via the designer's social media, as opposed to the store's website, you are bound to receive a hell of a lot more publicity. This campaign almost has shock value. Nobody saw it coming. All of a sudden, there's an Alexander Wang x H&M Coachella event, featuring Iggy Azalea? Woah. Where were the press releases or leaked sources?

From this Instagram picture of Iggy, we can see definite leather and graphic print influences. More than anything, those high-leg boots are insanely gorgeous.



Wang is all about the youth. He's a designer that understands streetwise aesthetics very well and embraces the concept of using modern, innovative fabric techniques. Previous collaborations, such as Matthew Williamson's, for instance, have a narrower target audience. It's fair to say that whilst Williamson is an incredible designer, his designs are very feminine and colourful, whilst Wang is edgy and limitless in his work. This well definitely sell to H&M's young demographic and I'm confident of that, even though we've seen no design previews yet!

90s graphic logo on mesh sweatshirt at Spring RTW 2014.

I credit H&M for continuing to collaborate with such high-end designers. It's wonderful to be able to have affordable designer pieces out there for the everyday shoppers who simply can't afford to have NET-A-PORTER as their homepage. This is definitely a venture that I will be continually following up on.

Leather cut-outs at Spring RTW 2013. 

H&M x Alexander Wang will release on November 6th.

Photo credits: www.style.com. 

Black is the New Black: 10 Buys I'll Never Regret

As of late, I've started to consider whether some of my previous purchases have been worth it. I've definitely learnt the hard way when it comes to being sensible, but I was once a self-proclaimed impulse shopper. 

'People who like to shop for fun are more likely to buy on impulse. We all want to experience pleasure, and it can be a lot of fun to go shopping and imagine owning the products we see that we like. Once we start experiencing pleasure as a result of this sense of vicarious ownership, we’re more likely to buy those products so that we can continue to experience that pleasure' - a simple psychological breakdown of impulse shopping (Ian Zimmerman). 

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Fashion A.D.H.D.

So does that mean that all impulse shoppers are prone to buying things they will inevitably regret in the future? Probably. If you experience 'vicarious ownership' and you have to purchase a new LBD to receive instant gratification, chances are you will rapidly lose interest in the item after a while. It makes sense when you come to think about it. How many of us can honestly say that we don't get bored of the clothes we buy after a couple of wears?

Personally, I realise now that I hit an extreme when I would buy things to wear once and refuse to wear them again. I still have no idea why I did this, considering I'm in such a privileged position to even have new things to wear every day. I suppose it was an image thing... perhaps I wanted to continuously recreate my image.

Staple Items >>> 

Before I get too psychological, I will move on to talk about some of my own purchases. Everyone's familiar with the saying '____ is the new black', but black will never go out of style in fashion. Wearing all-black is actually a huge trend. It's one of those colours that you can always use as the base of your outfit and then colour block, add white for a monochrome look, or experiment with metallics. It's versatile and it suits everybody so if you're an impulse shopper too, consider whether what you're buying will be worn in a few months time. Is it seasonal? Will it suit day and night looks? If you're unsure, go for something black and you won't have any issues.

I've gathered 10 items that I believe I'll get a lot of wear out of...

Clutch with wrist strap, Jasper Conran at Debenhams. 

Faux leather shorts, New Look.

Lace-up biker boots, Schuh. 

Silicone watch with black dial, Marc by Marc Jacobs.

Cropped blazer, H&M.

Quilted sweatshirt, River Island.

Loafers, Primark. 

Shearling jacket, River Island. (P.S. much cheaper alternative to the Acne jackets). 

Studded leggings, Versace for H&M.

High-waist tuxedo leggings, Topshop. 

Fashion Education & Networking: Only for the Elite?

After recently thinking about the state of fashion education in the UK, I think it's fair to say that if you don't have spare thousands lying around, you're probably better off skipping the education part. As someone studying English with Film, I understand the difficulties in having conflicting interests. The pressure to choose a degree which will lead to a highly-paid job is immense. However, in today's economic climate, gaining a first does not automatically equal a good job.

I think people should study what they are genuinely interested in, rather than focusing too much on what is considered a 'hard' or 'soft' subject, although this can be increasingly difficult if you have interests on the opposite ends of the scale. Personally, I chose not to do a fashion degree (e.g. fashion journalism) as I felt it might narrow my career paths in the future, whereas an English degree is undoubtedly more broad. 

So what happens if I complete my three years and still have a burning desire to gain an education in fashion? Well, this is where I've been struggling to find accessible paths to take. When The Condé Nast College of Fashion & Design first opened in April 2013, I was incredibly excited. To have an educational institution created by Condé Nast is huge in itself. 

Students working at the Conde Nast College of Fashion & Design.

The company has founded massively successful publications worldwide, including Vogue, Glamour and GQ. I couldn't think of a better company to teach me the ins and outs of fashion journalism. Clearly, I didn't expect the fees to be cheap but realistically, the prices are probably way too high for me to even consider attending without a scholarship. The Vogue Fashion Certificate, for instance, is £7,920 for a ten-week course! 

In my opinion, if you're looking to educate yourself in the industry but you can't afford such high fees, I would look into The London College of Fashion courses. I've completed a Fashion Media short course in the past and I would recommend doing something similar as you will be taught by an industry expert.  Again, the prices still aren't cheap but you do learn a lot in a span of a few days. 

The LCF BA (Hons) Fashion Design & Technology Show 2009.

You Can't Sit With Us 

As I was researching the education aspect, I also wondered what was out there in terms of fashion networking groups. I came across a popular fashion members group called 'The Industry', which meet regularly to attend events hosted by world-renowned designers including Lulu Guinness. There's also events such as digital conferences, where the likes of Matthew Williamson talk about the future of e-commerce. Sounds incredible right? Well, all looked great until I saw what was required to join... 

Ah, so it's all for professionals. I should have guessed. At this point, I was starting to wonder why there is so much knowledge out there for existing professionals, rather than students or people with less than 2 years of industry experience. I tweeted the company to ask whether there any talks of building a new platform for younger people, yet I haven't quite received a response yet! 

Networking should really be about young people meeting up and sharing contacts so why isn't there more for us? Could it be that our 'student' status implies that we are less knowledgeable about the industry? If so, I would completely disagree as I believe there are many people my age with a vast amount of knowledge about public relations, journalism, styling, trend forecasting, you name it. We're not all giddy teenagers looking to join the industry because we believe it will be full of glamour. Some of us are mature enough to attend conferences and network with experts because we are fully serious about our passions. 

In the end, I did find one event which ticked all the boxes: Boost: London Fashion Networking (Featuring Noelle Reno). Early Bird tickets are available for £7.50. Finally, an event which sees full integration between students and professionals! 

Noelle Reno, fashion entrepreneur and former model. 

Tickets can be purchased here: https://www.eventbrite.co.uk/e/boost-london-fashion-networking-may-featuring-noelle-reno-tickets-10925698057.


Photo credits (in order of images): http://www.condenastcollege.co.uk/courses/vogue-fashion-certificate/, http://ftape.com/media/?p=1837, http://www.standard.co.uk/lifestyle/fashion/noelle-renos-grand-designs-6773441.html

Vogue Festival 2014: Street Style + Naomi Campbell on Africa & Diversity

I had the pleasure of attending this year's Vogue Festival and for the second year in a row too!

As I walked to the Southbank Centre, I was in awe of the beautiful women wearing such stunning clothes. For me, I'm drawn to unconventional looks, rather than the expected quilted Chanel messenger and shift dress. No offence intended.

I definitely loved seeing such a diverse bunch of people coming together because of their love of fashion. For me, Vogue Festival is unique because of its mix of the elite, who clearly have striving careers in the industry, and the younger crowd of students, interns, photographers and bloggers. The younger crowd are all completely giddy with excitement but choose to overshadow it with that indifference that we all know so well.

Street Style: Simplicity x2 

This was one of my favourite street style looks from the event. Personally, I don't particularly like this new monochrome, flatform trend but on this model, I think it works with her outfit. Streetwise all over, but you can tell that this is effortless.

Now this is a completely different look altogether but I adore it for many reasons. Three words: this is risky!  Having an all-white palette is definitely hard to pull off but when I saw this outfit, Naya Rivera's jumpsuit for the Elle Awards came to mind:

Although this clearly a more sexy oufit with the holed sleeves, both ladies do a great job at pulling off a tailored, loose trouser. Breaking up the all-white with coloured accessories, like black or purple court shoes is an excellent way to add colour without losing edginess.

What About Me?

In all honesty, I wasn't too sure on what to wear to this event but I decided to go for a floral skater dress and a structured bag with gold detailing. Initially, I was going to go for black loafers but I opted for lace-up, heeled boots to contrast with the 'girliness'. (P.S. Yes, I know. This is a terrible picture.)

Africa, Diversity and Nudity?!

As Naomi and Franca Sozzani walked on stage, the atmosphere surrounding the auditorium was buzzing. Everyone in the audience knew that these ladies were indeed fashion legends.

I loved the pairing of Franca and Naomi together as they did an excellent job talking about several issues in the fashion industry today. One being the stigma attached to Africa and why many of  fashion's elite are holding back Africa's growth. Both women fearlessly spoke of their experiences with people who refused to support their travels to Africa because they believed it was full of AIDS and malaria. I still find it disappointing to hear that people are so caught up in the negatives. Every single country in the world has its problems, and every single one also has its qualities which make it beautiful too. As a person who has travelled to South Africa, I can see why Naomi is so adamant in deconstructing the generalisations people make about the continent. 

Naomi also spoke of the changes in the modelling industry: 1) Models are no longer seen as the subaltern of fashion as they CAN 'speak', 2) Models of colour are now becoming prominent in both high-fashion and commercial advertising. 

'We have never seen so many women of colour in advertising. We didn't start this to blame or complain, just build awareness. Keeping it fresh in people's minds. It's not a trend', said Naomi. 

A highlight of mine was when Naomi picked up the March issue of British Vogue and pointed out all the non-white models. It was a real statement move and I think it foregrounded the progress that the industry is making, especially when you can see a huge visual of Sozzani's famous 'Black Issue' of Italian Vogue, where Naomi features on the cover. 

In terms of Naomi's goals, she spoke of her successful TV show, The Face which has been sold in over 60 countries. Despite the hard work, the supermodel stressed that she loved being a mentor to young women and guiding them through the challenges of modelling. She did say that she would eventually pass on that role, so I'm sure talks of the future guiding mentor will arise soon. 

Here's something nobody saw coming though... Naomi is planning on releasing an archive book which will feature nude shots in her early days. She giggled as she mentioned this future venture but if Naomi can pick up herself up from falling off a runway in Paris and carry on so gracefully, I'm sure a few nude shots will be a breeze!

Queen Bee

People often see Naomi as a bitch who throws far too many tantrums, especially with the previous allegations of assault. However, I think there's a very soft-centred side to her character and she allows this to be displayed when she is most relaxed. Surprisingly, Naomi came across as a very humble woman who wishes to uplift and empower others. 

'To be sitting here 28 years later (after I got discovered), I feel so grateful and blessed. I wouldn't have imagined that I'd still be working with the same photographers that I worked with when I was sixteen.' 

Even when talking of the recent Kim Kardashian and Kanye West cover of American Vogue, she was very compassionate. She did not regard Anna Wintour's decision as a failure, but rather a 'stepping stone' for the magazine. Now, arguably she had to say something of this nature because it'd cause controversy otherwise but I got the impression that she was genuinely thinking about the bigger picture. 

Naomi fully let down her guard and proved to us that there is an intelligent mind behind the sex-appeal and that the future of fashion lies in diversity, empowerment and fearlessness. 

Photo credits: Darren Gerrish and Dvora

MM6 Maison Martin Margiela RTW Fall/Winter 2014

At first, I was set on reviewing the Michael Kors collection, but in all honesty I'm not so sure I'd have a lot to say about it. The collection was appealing in that it was very accessible but I thought I'd talk about a collection that I can never skip each year: Margiela's. 

The collection had a very clean and minimalist colour palette at first, with lots of white and black, as expected.  Staple items were everywhere, and I mean everywhere. Out of nowhere, a fiery red cable knit appeared with paper-thin white shorts. There literally are no conventions with Margiela. 

Visually, the splashes of burnt orange are just perfect, even when you only see a hint from the model's shorts underneath her oversized jacket. 

Now, the fabrics used were undoubtedly the most mind-blowing feature of the whole collection. We're talking bubble wrap. Yes, bubble wrap calmly used as a top and even understated in the sleeve details of a dress. Denim was also laminated and appeared very glossy, to give some of the looks an incredibly futuristic vibe. 

This is definitely a collection for risk-takers and people with a whole lot of confidence. 

Boxy shorts paired with a pristine white jacket. Such an effortless look, and I love the knee-length boots to match.

Here's what I was talking about... fiery red out of nowhere! Warm and stylish at the same time, especially with the unconventional paper-thin shorts.

This may not visually look too pleasing, but I do admire the innovative use of bubble wrap... you have to! The laminated, denim shorts are also great. I'm not sure of the black bandeau underneath but I guess there aren't too many options when you're working with translucent material. 

I really loved this outfit. One, because the fit of the jeans is so unusual... not skinny or flared. Two, I love the metallic effect that the fabric gives off. That structured, zipped top is so bad-ass, especially paired with those edgy jeans. 

Christian Siriano Fall/Winter 2014 + Personal Update

The Abandoned Blog 

Seeing F/W 2014 catwalks on social media sites has really made me nostalgic over blogging. Circumstances in the last few months have definitely stopped me from posting content because I hate delivering mediocre reviews that I myself aren't proud of. I honestly appreciate all the views I've accumulated over the year and I thank you all for continuing to support and read my articles. I can't abandon this platform I created for myself in 2012. I had no idea what I was doing. All I knew was that I wanted to get on here and share my opinions on fashion. To this day, I have barely made use of analytics or marketing tools. Having said that, I would love for this blog to grow in size and to develop as much as possible. Having personally encountered people that seem to have negative things to say about this platform is only a driving factor for me to continue to post content. I believe ambition is key in life and you will constantly have people that divert their insecurities in order to put down your work. It doesn't matter what you're doing, just make sure you continue to do what makes you happy and let nobody tell you that something is too big for you to achieve.

Back to Business: Christian Siriano

Now, back to the fun part. I decided to review Christian Siriano's collection as I love exploring designers that are new to me. Instead of going for Wang or Marc Jacobs first, I decided to take a look at this seriously talented designer as a few images of his collection caught my eye on Facebook.

The collection takes elegant to a whole new level. It celebrates the female body in such a demure, ladylike way. The transitioning between fabrics and colour is also a true work of art for such a young designer. 

By far, this is my favourite piece in the collection. The gold details are very unexpected but the rich pine green  certainly isn't. This is definitely red-carpet worthy as the lycra-like fabric will undoubtedly accentuate a small figure. 

A simple alpacca coat for the winter season. Oversized has definitely been on-trend in high fashion, as well as high street recently. It makes a change from the more fitted pea coats and peplum jackets.

This is a look I decided to pick because of its clean cut and simplicity. Monochrome will never go out of style, especially with the effortless, slouch trousers and the structured bag. 

This is definitely a visual manifestation of Siriano's talents. Clearly this is no average dress. I love the fitted bodice and the flared skirt, as well as the gothic-like blackness to this dress. 

This look definitely has a 60s feel to it, especially with the mid-length pleated skirt.  I adore the combination of olive green with black- two perfectly coordinated colours for fall. The skirt itself is very flattering and the sheen to the fabric easily makes this a transitional piece from day to night. This look is all about taking historical fashion and making it appealing to the women of today. Props to Siriano.

Photo credits: Jay Marroquin www.jaymarroquin.com