If you're a fashion fanatic, you need to be at Vogue Festival at the Southbank Centre next month! I know I'm going to be!
Seriously, I cannot wait. Front stalls to hear Donatella Versace speak words of wisdom... me thinks yes!
There are still some tickets available for various events available here: http://www.southbankcentre.co.uk/whatson?filter[series]=2134
Victoria Beckham, Michael Kors, Christopher Kane, Cara Delevingne, Anna Dello Russo are just a few of the big names that are participating in the festival.
Buy, buy, buy!
Thursday 28 March 2013
Monday 25 March 2013
Vera Wang's Outrageous New Try-On Fee
Our beloved Vera Wang has designed bridal gowns for some pretty elite clientele but she may have taken a step too far.
Currently, the newly opened Vera Wang bridal store in Shanghai is charging customers a £317.70 equivalent to try on any bridal gowns. Whether or not this try-on fee will expand to her other worldwide stores is unknown but I personally think it's ridiculous.
Clearly, copyright is a huge issue and protection of your brand and items that are worth thousands upon thousands is necessary. Photos are already forbidden in her stores which is vital. Why the fee?
If clients decide to purchase a gown, the fee is wavered but if not, they'll have to pay up. Now some might say £317 is nothing to someone who can afford a £317,000 Vera Wang gown but there are many that are a lot more simple and range in the £3,000-£4,000 region too. Surely, most soon-to-be brides aspire to wear Vera Wang but choice is still out there and this fee could certainly detract potential clients from even bothering entering the bridal store.
Bad move Vera!
Currently, the newly opened Vera Wang bridal store in Shanghai is charging customers a £317.70 equivalent to try on any bridal gowns. Whether or not this try-on fee will expand to her other worldwide stores is unknown but I personally think it's ridiculous.
Clearly, copyright is a huge issue and protection of your brand and items that are worth thousands upon thousands is necessary. Photos are already forbidden in her stores which is vital. Why the fee?
If clients decide to purchase a gown, the fee is wavered but if not, they'll have to pay up. Now some might say £317 is nothing to someone who can afford a £317,000 Vera Wang gown but there are many that are a lot more simple and range in the £3,000-£4,000 region too. Surely, most soon-to-be brides aspire to wear Vera Wang but choice is still out there and this fee could certainly detract potential clients from even bothering entering the bridal store.
Bad move Vera!
G-Shock x Margiela
Ahh G-Shock has combined with none other than... Maison Martin Margiela and I'm dead excited. The watch is looking so entirely sexy in the newly released advert.
Only 3000 of these watches will be released in celebration of G-Shock's 30 year anniversary.
http://www.youtube.com/watch?feature=player_embedded&v=WJIBEyZ7qEk
Only 3000 of these watches will be released in celebration of G-Shock's 30 year anniversary.
http://www.youtube.com/watch?feature=player_embedded&v=WJIBEyZ7qEk
Sunday 10 March 2013
Alexander Wang x Balenciaga Fall 2013 RTW
So I've been meaning to do a post about Wang's debut at Balenciaga for a while now. It's been a long time coming and everyone's been dying to see the first pieces from this unexpected, yet potentially genius collaboration. Scrap "potentially". It was unconquerable.
Some may critique Wang for not flourishing in the personality department when it came to this RTW collection, yet this is understandable as he really tried to incorporate the brand's ethic in order to stick to the roots of Balenciaga. I believe he did this incredibly well. Nothing was too boring or too extreme.
From what I've read, Wang started working on this collection since Janurary which means this overlapped with his Fall 2013 RTW collection time frame Wow. Wang has clearly gone out of his way to prove that he can deliver pieces which will not be unrecognisable to the Balenciaga label.
I got vibes from Céline during this collection... perhaps it was the flashes of fur and the long black dresses.
The collection was certainly modest but in no ways bland.
Wang is a versatile designer. He can go from the sportswear aesthetic with boxy jumpers and sweatshirts to elegance and sophistication within a matter of a few months. What better colour palette to choose here too? Monochrome- black, white. Brownie points for that!
Some may critique Wang for not flourishing in the personality department when it came to this RTW collection, yet this is understandable as he really tried to incorporate the brand's ethic in order to stick to the roots of Balenciaga. I believe he did this incredibly well. Nothing was too boring or too extreme.
From what I've read, Wang started working on this collection since Janurary which means this overlapped with his Fall 2013 RTW collection time frame Wow. Wang has clearly gone out of his way to prove that he can deliver pieces which will not be unrecognisable to the Balenciaga label.
I got vibes from Céline during this collection... perhaps it was the flashes of fur and the long black dresses.
The collection was certainly modest but in no ways bland.
Wang is a versatile designer. He can go from the sportswear aesthetic with boxy jumpers and sweatshirts to elegance and sophistication within a matter of a few months. What better colour palette to choose here too? Monochrome- black, white. Brownie points for that!
Pristine and wearable. Love the simple white blouse with no embellishments. The boots act as trousers due to their high-leg. The chain details add a bit of a specialty to this look. |
A transformed peplum with simple black trousers. The top reminds me of Charlize's Oscar look... |
Shimmery jumper with high-waisted trousers. Like the cute, thin bow belt but I don't care for the shoes at all. Too open. |
Rouching at its best. Wang has gathered the fabric on this dress so well that nothing else needs to be added to this piece. |
The collection starts to take a nice twist with the metallics and sparkles. I like the neck on this jacket with the open-ended sleeves. The t-bar heels are also a win for me. |
Wow. This cracked paint-speckled knitted jumper is too good to be true. What a twist to knitwear this is. Truly out of the ordinary and I love, love, love it. |
Black fur peplum for warmth and elegance teamed with metallic print trousers. Like the bronze and black combination. |
Monday 25 February 2013
Oscars 2013 Best Dressed
So without even paying too much attention as to who won what, I jumped straight online to see what everyone wore to the Oscars... obviously.
Overall, there were a few flawless looks, a few terrible looks not even worth mentioning and quite a few mediocre, nice but nothing special looks. In my opinion, the Oscars is the time to really push the boat out and go all out- full glamour or nothing.
I've selected the looks below because I thought they were the best of the night... if I've left out a few big names it's because I didn't find them worth commenting on really.. like Anne Hathaway... really Anne, a Tiffany's necklace with that high neckline?
Overall, there were a few flawless looks, a few terrible looks not even worth mentioning and quite a few mediocre, nice but nothing special looks. In my opinion, the Oscars is the time to really push the boat out and go all out- full glamour or nothing.
I've selected the looks below because I thought they were the best of the night... if I've left out a few big names it's because I didn't find them worth commenting on really.. like Anne Hathaway... really Anne, a Tiffany's necklace with that high neckline?
Jessica Chastain showed everyone how it should be done. Custom Armani gown with Harry Winston diamonds- old school Hollywood glamour. That sweetheart neckline looks gorgeous on her. |
Halle Berry still has it & won't lose it in this striped Versace gown. Love the shimmer, the silver and black combination, the plunge neckline, the silver belt... okay, I love everything. |
Sandra Bullock did not get enough credit for wearing this incredible Ellie Saab gown. Seriously, the sheer panels, the beads and the lace? Wow. |
Monday 18 February 2013
Christopher Kane Fall 2013- London Fashion Week
Christopher Kane is a designer that will never bore me nor fail to excite me in any way. I know that whatever he presents on the runway, it's going to intrigue me, whether it's aesthetically pleasing or not.
In this whopping 60 piece collection, Kane pulled out all the stops for Fall 2013. There were so many visions that came to the forefront every 4-5 looks. One attribute about Kane that I adore is that he knows how to mix up a collection and capture so many different moods. In this collection, specifically, there was definitely a transition from the army prints and camouflage with the "tough" mood to the more romantic, delicate looks with huge amounts of beading.
When I was trying to pick out the most prominent looks from the show, I had a tough time narrowing them to less than 15! This is what I love about Christopher Kane's shows and I'll never grow tired of the anticipation I get from viewing his collections. There's always something unique- something no-one else is doing.
We saw so many wonderful fabrics and prints- Kane is the master of prints! At times, I had to stop and stare and wonder how I should feel about certain pieces but that was expected.
Kane gave us a taste of each aspect of his collection before moving on to something new altogether It was definitely appealing to me.
A vibrant, "strange" and fairly "dark" collection overall. You could tell a lot of work went behind this collection, I mean 60 pieces?! Wow. Kane is proving his capabilities more and more every time he presents a collection and now that PPR have invested in him, I'm looking forward to seeing his booming growth in the industry.
In this whopping 60 piece collection, Kane pulled out all the stops for Fall 2013. There were so many visions that came to the forefront every 4-5 looks. One attribute about Kane that I adore is that he knows how to mix up a collection and capture so many different moods. In this collection, specifically, there was definitely a transition from the army prints and camouflage with the "tough" mood to the more romantic, delicate looks with huge amounts of beading.
When I was trying to pick out the most prominent looks from the show, I had a tough time narrowing them to less than 15! This is what I love about Christopher Kane's shows and I'll never grow tired of the anticipation I get from viewing his collections. There's always something unique- something no-one else is doing.
We saw so many wonderful fabrics and prints- Kane is the master of prints! At times, I had to stop and stare and wonder how I should feel about certain pieces but that was expected.
Kane gave us a taste of each aspect of his collection before moving on to something new altogether It was definitely appealing to me.
A vibrant, "strange" and fairly "dark" collection overall. You could tell a lot of work went behind this collection, I mean 60 pieces?! Wow. Kane is proving his capabilities more and more every time he presents a collection and now that PPR have invested in him, I'm looking forward to seeing his booming growth in the industry.
A coat you'll never see elsewhere. "Statement" is an understatement. The camouflage print looks more rich with the fur off the shoulder. |
Again, the camouflage is "prettied up" with the shimmery miniskirt. |
Gorgeous black biker jacket teamed up with more camouflage. Edgy and tough. |
I thought this dress was brilliant. The camouflage is enhanced in metallics and the buckle used to connect the V neck is so "grunge". Pretty but "in your face". |
A rich variation of the camouflage as new shades of red and gold are used in this textured minidress. |
This piece looked so incredibly costume. Every bit is handcrafted with swirls or a floral pattern for the skirt. |
Love the distressed/torn pieces of fabric at the bottom. Breaks up the prettiness of the look, as Kane likes to do. |
Something gothic and serious. The cuffs are great additions to this dress fit for a warrior. |
On to something more delicate and simple with the red satin finish and sweetheart neckline. |
This is a look for the brave. Full-on floral embellishments on the top and sheer skirt, yet there's still something dark about the appearance. |
Out of nowhere, we see some geometrical inspirations on a dress that seems very "tissue-paper like". |
Fuzzy and bold yet sparkly with the black glitter. |
Again, look at the work here. Sexy and feminine. Something unexpected towards the end of the show. A pleasant surprise. |
(Images courtesy of: style.com)
Topshop Unique Fall 2013- London Fashion Week
Topshop Unique was a Fall 2013 collection for the trendy youth of Britain, basically.
Opening and ending with Cara Delevingne, Topshop definitely knew how to seal the deal with their masses of teenagers and young women.
Overall, PVC was used on skirts, satin, fur and chunky knit sweaters were seen and block colours of orange and red broke up the otherwise dark colour palette.
Realistically, the pieces were simple but worn with other statement garments made for some dramatic looks.
Personally, I loved Cara's opening outfit and Jourdan Dunn's closing sequin jumpsuit.
The vibe of the show was definitely a mixture between disco/clubbing and minimalist combinations.
In my opinion, Topshop Unique outdid themselves with this collection. I would personally wear so many of these looks that I saw down the runway, which by the way, was no usual extravaganza. Topshop Unique teamed up with Google + to not only live stream the show but capture millions of angles of the looks and project them on to the walls of the Tate Modern as the audience left. Brilliant!
Opening and ending with Cara Delevingne, Topshop definitely knew how to seal the deal with their masses of teenagers and young women.
Overall, PVC was used on skirts, satin, fur and chunky knit sweaters were seen and block colours of orange and red broke up the otherwise dark colour palette.
Realistically, the pieces were simple but worn with other statement garments made for some dramatic looks.
Personally, I loved Cara's opening outfit and Jourdan Dunn's closing sequin jumpsuit.
The vibe of the show was definitely a mixture between disco/clubbing and minimalist combinations.
In my opinion, Topshop Unique outdid themselves with this collection. I would personally wear so many of these looks that I saw down the runway, which by the way, was no usual extravaganza. Topshop Unique teamed up with Google + to not only live stream the show but capture millions of angles of the looks and project them on to the walls of the Tate Modern as the audience left. Brilliant!
Oversize black coat, cropped jumper and PVC patent miniskirt teamed with an oversize tote bag. Works so well together considering the all-black with a splash of navy from the cropped jumper. |
Oversize, statement coat in grey. Love the black patent pockets and details on the shoulders. Teamed with those block heels make this the ultimate street look. |
Simple, fuzzy, thin jumper paired with satin trousers and a large, carry-on bag. Effortless. |
Really sweet look compared to the "badass" looks seen in the collection. Love the high-leg slit and the subtle use of sequins at the shoulders and sleeves. Brogues? Not so sure. |
Cara's closing look- double sequins in burgundy and an oversize, quilted jacket. This suits her because of her figure but I can't argue with it. |
Jourdan Dunn looks stunning in this sequinned jumpsuit. Again, in the deep burgundy colour. The thin spaghetti straps enhance her cleavage and the outfit speaks for itself really. Disco's back.
(Images courtesy of: style.com)
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